![]() ![]() Maddala studied those scores carefully and frequently revisits them while writing his own scores for the show. In their initial conversations, director Van Citters regularly referenced Bradley’s scoring technique. ![]() “Scott Bradley’s scoring technique is the gold standard. Comfortable cartoon tropes like trumpet blasts and trombone slides, pizzicato plucks and timpani bounces punctuate a string-and woodwind-driven score. Maddala’s compositions are reminiscent of composer Scott Bradley’s approach to the original Tom and Jerry animations. Music plays an essential role in describing the characters’ actions and reactions. New episodes of The Tom and Jerry Show are currently airing on Cartoon Network, and Maddala will be composing 39 of the episodes in Season 3.Īs with Hanna-Barbera’s animated theatrical shorts, the characters of Tom and Jerry rarely talk, although other recurring characters are voiced. Obviously, this is a Flashdance reference, so I was able to thread oblique references to Flashdance in the score.” For example, Tom’s love interest, a cat named Toodles, is an aspiring dancer by night but her day job is being a spot welder for heavy construction. It features layered storytelling that children probably wouldn’t be able to appreciate. Ostensibly, it’s a children’s show but what I’m finding is the writers seem to be having a lot of fun with allegorical references. ![]() “The storytelling is getting better and better. Vivek Maddala is co-composer on the series. ![]()
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